Advertising

    East Fork Pottery Ad.

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    “East Fork makes plates, bowls, mugs and more, with regional materials in Asheville, NC to support our most private rituals and bear witness to the full breadth of our domestic life. To hold the mess and tidiness and joy and anger and grief and boredom contained within the walls of one’s home.

    Founded by potters Alex Matisse and John Vigeland we’re now a team of about 100 and growing, together building a more person-centered and equitable approach to making objects in the U.S.”

    East Fork is a pottery manufacturer in my home town of Asheville. I first took notice when they did a full page add in the New York Times Sunday Magazine. Quite an expense. The words above are copy from another ad, this one from last Sunday’s New York Times national paper.

    I don’t know what to make of the ad. The visual of organic greens and plates is wonderful. And they even throw in a vinaigrette recipe. But the copy, while poetic, is a bit over the top.  I’m not sure I use plates to organize my messy life. (Or do I?) Nor am I sure they are there to contain my boredom. (Or are they?) As for private rituals? Umm.  I guess over time tableware can become part of the family but can a pottery company be my confessor. My shrink?

    The copy is Asheville crunchy.  I get where they’re going. And I applaud it. But perhaps a bit less glaze in the future???  Nah. Keep it up.

    Peace.

     

     

    Blackburied.

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    I have a Blackberry Bold – not sure which model number.  I bought it two days before my need for reading glasses began.  Double u tee ef. Today without reading glasses I came across an ad in The New York Times in which Blackberry exclaims “Our browser should have a racing stripe.”  Is someone kidding me? I had to read it because it felt joke-ish.

    I’ve yet to have a good web experience on my BB since purchasing it.  Were the ad to have said “New Browser” I wouldn’t feel so mislead but it just said browser. I know some of it is Verizon. Some has to do with WIFI Web access vs. digital phone service access, but this claim is absurd.  And maddening.

    Blackberry users, dwindling though they may be, tend to be older. A 2” X 1.5” screen for that audience is como se silly.

    Domino’s Pizza realized their Pizza needed fixing and did so.  I’m not sure what RIM is doing about its technology and customers, but teasing us with untruths, or perceived untruths is not marketing.  It’s pizzling all over us. Peace.

    PS.  Can’t wait for the Lumia 900 to come to Verizon with Microsoft Tiles for Mobile.

     

    Advertising and Power.

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    Empower is a word that used to be the haps in marketing.  Now it has been replaced by “transparency” and “authenticity” in the markobabble lexicon. Being a contrarian, I look at the word empower and wonder how to use its opposite. Depower? To remove from power or to remove power. When you think about it, removing things that make a consumer’s decision hard is what advertisers try to do.  By simplifying the decision for a consumer, removing all the impeding loci, it becomes easier to buy.

    Are you the type of person who has a hard time deciding when looking at a restaurant dinner menu?  Me too. I like duck, and pasta, a steak.  So when I read the menu I’m using the descriptions to aid me. I prioritize the descriptors.

    If we look at an ad as a selling device and are speaking to a consumer who must decide using many factors — factors that may not play to our product’s strong suit — we have to depower those factors. So a Coke that may be very refreshing but filled with calories and sugar, needs to depower the latter two qualities so it properly highlights the former. It’s not always about focusing on the positive attributes, the best advertising and marketing strategy sees the rest of the power grid and on all. A little like chess, no?  Peace.

     

    Spam Words.  

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    The unsub button is set you to allow you to stop unwanted emails. The first options is

    __ Too many emails.  The second is

    __ Not relevant to me.  The third is

    __ Too promotional.   And the fourth is

    __ I don’t know why I’m receiving these emails.

    They put the first one in that position to increase the chances of it being elected. Then the email company can argue spam emails are not so bad there are just to many of them…and stay in the spam business. Just with a bit less frequency.

    Spam is to email what TV commercials are to broadcast TV. Unwanted intrusions.

    Brand planners are all about relevance. And salience. Advertisers are about attention. Email marketers are clicks. And marketers are all about selling…and all of the above. The problem with most of the above, is that it negatively impacts relevance and salience. Consumers are conditioned not to believe certain words.  Certain claims: better, faster, tastier, cheaper. These are spam words.

    Brand planners have to weed out the spam and identify new ways of conveying value. New strategies to garner interest, desire and action.

    I like Spam on sliders, not in my copy.

    Peace.

     

    Words Are Important.

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    I was listening to a radio commercial this morning in which Joe Torre and the president of J.H. Cohen are prattling on about professionalism and category experience in the consulting and accounting business.  And it’s bad, so I’m really only listening for how poor the performances are — not really hearing the words.  And then president or announcer recites a list of fluff ending with “unmatched integrity.”  WTF!  Is anyone reading this shizz?

    Advertising Claims

    There was a time when you couldn’t just poop out claims on the radio. Or in print.  I suspect they are a little more vigilant in the TV standards and practices depts., but today you can say just about anything on the radio. Maybe that’s why advertising is so ineffective.  Anyone can say anything.  “Unmatched integrity?”

    If Coors Light can say it’s the “world’s most refreshing beer,” what does that make all the competitors?  Is someone sleeping at the switch?  Words are important; anyone in marketing will tell you that.  As we make words less important, is it any wonder that we need the algorithm to help us find our arses.  Peace.

    Frank’s Red Hot Sauce Radio Spots.

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    One of my favorite advertising campaigns is for Frank’s RedHot Sauce.  It may be my only favorite ad campaign.  I heard if yesterday morning and had to remark about it to the lady at Ace Hardware.  The business strategy is to get consumers to put Frank’s RedHot Sauce on more dishes.  I use hot sauce on burritos and tacos only.  My brother in law from North Carolina likes it on his eggs.  (It’s not bad.) The more dishes Frank’s can get you to spice up with hot sauce the more sales it rings.

    Now normally funny advertising for the sake of funny is not something I advocate.  Funny is rarely a brand plank. But the little old lady with the graggy voice who performs these spots is quite the star. But the copywriter is the true star.  Each ad repeats the line “I put that shit on everything.” Of course the word shit is beeped out. The bleeped word is the hero of the spot. Try not laughing. Try not understanding the strategy. Try not visualizing a little old lady putting hot sauce on her breakfast, lunch and dinner.

    Some church people will be offended. Some parents with small children will have to explain to their kids why they are laughing. Some will want to protest.  Me?  I just love that ____.  The best ad campaign I’ve heard in a long time. Peace. 

    Marmot’s super bowl spot.

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    (This post originaly appeared February 10, 2016, then was taken down die to a hack.)

    I love the Marmot brand. I ski in Marmot, I sleep in Marmot, I do outdoors stuff in Marmot. I want to own more of it.  The gear is well-designed, engineered-to-the-max and good looking.  They’ve done a wonderful job with branding and marketing. (I have tend pole that bent, and it doesn’t even bother me. Why? Because Marmot is like family.)

    Then, before the Super Bowl, I saw a Marmot teaser ad campaign and knew I wasn’t going to like. Super Sunday I saw the real thing.  It’s a Goodby, Silverstein and Partners spot, focusing around, you guessed it, a marmot. Were this toilet tissue or insurance, maybe. But cuddly talking Marmot? Oy. I can only imagine the 2 other campaigns the agency pitched to beat this one. It should never have been presented. Lazy ass trade craft. It is so unfitting of the brand.

    I can just imagine the engineers in the goose down research center, breathing feathers all day, watching the game on TV with their friends. “A talking marmot, really?” No wonder advertising and marketing people have a bad name in engineering focused companies.

    As a brand strategy guy and Marmot fan it was a sad day. Even if the spot tested off the charts with the teens and tweens – the next generation of buyers – it was a brand mistake. A 5 million dollar mistake. And that’s a lot of feathers.

    Peace.    

     

     

     

    Heineken Light’s New Campaign.

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    Heineken Light is launching a new ad campaign. All the stories will be about new spokesman Neil Patrick Harris, Wieden+Kennedy and the advertising poking fun at the fact that one can’t drink beer on a TV commercial. Mr. Harris drinks and slurps off camera.

    According to Heineken USA CMO Nuno Teles “Everything in marketing should start with a consumer insight.” The one he identified to Stuart Elliott of the NY Times was that “40% of 21-27 year old consumers desire a light beer with a full taste.” Some quick research suggests there are 25 million 18-24 year olds in the US, so let’s say there are about the same number of 21-27 year olds. Forty percent of that number is 10M. In a country of 300M, that leaves a lot of beer on the table. But I agree that taste for a premium light makes sense. The fact that Barney from “How I met your mother” craves Heineken Light on a TV commercial, though, doesn’t quite set the “taste” hook for me. I’m not sure if he says anything about the new Cascade Hops, but I surely hope so.

    Behavioral brand planners will ask how do we get consumers to change beer brands? The answer is, get them to try it and like it. Also, give them a reason to expect to like it. Not sure drinking what Barney drinks is that reason. Peace!

    P.S. Wieden knows what they are doing and they know advertising, so let’s wait until the barrel counts start coming in. This is just my expectation of success.

     

    New Cadillac Spots

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    I wrote Friday about the new Cadillac campaign, sight seen. My qualm was actually with the quote by Publicis’ CEO who intimated image, not car sales, was the point of the work.  I get image. It’s an important got-to-have, but it’s not the primary reason for advertising. Image and an on-brand strategy message are imperatives. Not, however, at the cost of selling.

    The Cadillac ad I watched last night on the Oscars was lovely. Of the time. Its heart was in the right place. The product manager/client made the agency show, at least, some old Cadillac cars. But how hard would it have been to show a new model at the end of the spot? Even grayed out a bit? As mentioned Friday, Cadillac’s challenge the past couple of years has been inelegant car designs. Not showing the new model car almost makes me feel, it’s still a challenge.

    Then Cadillac ran another ad introducing the Escala. (Watch the second commercial on YouTube link above.) It’s product first. Product forward. And the car design is huge. Exhilarating.  These two execution could have ben combined a la the “Imported From Detroit” spot from years ago. That would have been some ad craft.

    Peace.

     

    Advertising and the commodity slurry.

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    Advertising agencies have allowed themselves to become commoditized.  In product marketing there are luxury goods, mid-priced challengers and bargain goods, but in the agency business everyone is more or less priced the same. 

    Sure, if you hire BBDO or Ogilvy your top line creative people will be more expensive than someone from the no-name middle tier but you get what you pay for and after a year or so the profitability equation seeps in and both type of shops meet in the middle. The commoditized middle.

    This is because ad agencies sell labor and stuff (pictures, video, writing, music and coding).  The valuable part – strategy – more often than not is given away.  Strategy and creative win new business but brand strategy often disappears after the contract is signed leaving creative to carry the day.  At that point middle-managers-on-the-rise start to take control.  And tactics take over. That’s when air starts seeping out of the balloon.  Tactics are commodities in the ad business. Apple wouldn’t put up with this. 

    What’s the way out?

    Ad agencies need to strengthen their commitment to strategy over tactics. They need to build incentives into their contracts tied to the strategic product.  If a client approves work that is off strategy, the client should have to fund a kicker to the fee. A – because it will cause more work.  And B – because the work will be off-piste.  Campaigns come and go…and that’s okay.  But brand strategy should not. Agencies known for their strategic work will emerge from the commodity slurry. Peace!