The reason CD sales are down is because of iTunes and file sharing, but not for the reason you think. It’s logical to assume CD sales are down because of $.99 downloads and free file sharing, right? Wrong. CD sales are tanking because there is less loyalty to bands, stemming from consumers ability to buy or download single songs. Instead of listening to a whole album and learning to like the less commercial stuff, (listening to all of a band’s art, in other words) downloaders cherry pick the best songs, wear them out and get bored. Bored with the song, the band, and dare I say, even the live performance. This is problem the industry faces.
We have ADD in America. We need instant gratification and we want it NOW. It’s up to the artists to make us like their art. All of it. There are many ways to build loyalty, but selling songs one at a time, at a discount, is not one of them.
Microsoft Word’s editing function is a cancer in marketing. If everybody’s a writer, then nobody is the writer.
Raise you hand if you are using Microsoft Word’s editing function. Now, lower your hand if you are in a creative business, and here I include marketing. If your hand is still up, you are using a tool that creates more problems than it solves.
Writing is not a collaborative sport, not unless you are James Patterson. That is especially so for writing that is supposed to romance, motivate and sell. This type of writing needs to come from one person. The editing function on Word makes sense for lawyers and engineers but piecing kernels of information together, often compromised kernels, is bad for business. Writing that sells has an organic organization, requiring a beginning, middle and end.
Copy and paste writing — agreed upon by committee — is not writing. It’s typing.
To view consumer generated content (CGC) as anything more than consumers itching a creative scratch is silly. That’s not to say consumers can’t do a good job of entertaining and/or even selling a product or two. But if they are not making deposits in the “brand bank” they may actually be diluting brand values.
When this CGC contests are run and “aired” on paid media, good brand managers will select only the efforts that best deliver the brand promise, but they should not overlook all the people generating “off brief” creative and sharing it on their own. If this happens, a brand manager isn’t managing the brand, s/he is monitoring it. And that’s when viral turns to virus.
My favorite new product in a while is Heelys (www.heelys.com)– the sneaker with the wheel in the heel. It’s a spectacular product with a great name. Imagine being in the early development meeting with the lawyers, though, trying to explain the upside of a sneaker with a banana peel on the heel? This is was bold play.
As is the case with Burger King, whose broiled burgers you experience anytime you’re within an 1/8 of a mile of the store, Heelys are a walking, talking billboard of self-promotion. Have you ever seen a kid go gliding by on Heelys without a smile on his or her face? Plus the way the kids ambulate is like nothing you’ve ever seen before. It’s absolutely mesmerizing.
But one of the best parts of the product launch is the name. Heelys. It’s descriptive, fun, memorable and meaningful. The name really delivers.
I’ve never been a fan of Penny’s though I certainly know the store and have shopped there.
The Saatchis are launching a new campaign around the idea “Every Day Matters,” a welcome change from the old effort “It’s all inside.” “It’s all inside” was not an idea, it was a tagline. The only way if could have been an idea was as a consolidation or a one stop shop strategy, and that’s no way to build a brand. Where’s the aspiration? Where’s the consumer? If there was a double meaning in the line, a la it’s all inside the human spirit, I thing DDB fell short. The musical device build to present the line was a keeper, I will say, but that’s it.
“Every day matters” is own-able and deliverable. Most important, it is an architecture for an ongoing, meaningful, consumer-focused story. Let’s hope the Saatchi’s can deliver.
So, I’m reading the New York Times over the weekend and I hit upon a sentence that causes me to vigorously shake my head to clear out the cob webs. I read it again and again and still couldn’t wend my way though it’s mash-up of double and triple negatives. Here it is:
“…he opposes (first negative) a ban (second negative) only if it failed (third) to include an exception (fourth) to protect the life of the mother.”
When they write this stuff, are they smiling?
This type of obtusion (Is that a word? It should be.) is what keeps people from reading. Have you ever, I mean ever, read a user license agreement on a Web site? Or read a prospectus? How about an annual report financial section? Is obfuscation a cottage industry? (Tax preparation, is no doubt a billion dollar business.)
I’m not for dumbing down the written word, or journalists writing to a 6th grade reading level, but come on people. Can’t we all just try to communicate a little better?
Imagine a time in the 1700s when America’s green tea came from a single company with two ships sailing back and forth to China. Following a 7-month sail, the green tea arrived in lower Manahattan, was offloaded and brought by horse drawn wagon over bumpy cobblestones to a warehouse near Wall Street at which time the shipping barrels were broken open and the tea transferred to smaller dry casks for shipment to points north, south and west.
After stops at two more transportation points, a barge ride, and a jaunt in a rain-soaked buckboard wagon, the green tea arrives at the local mercantile. Taken out of its wooden cask, smelling oh so rich by the way, it is then put into 3 glass jars with metal claps and cloth seals.
You, the store proprietor, must charge $.75 for a half pound of the green tea in order to make a little money, which is quite a high price when considering sugar is $.08 and flour is $.04 a pound. Here in Bumpus Mills, MO green tea is a relatively unknown luxury, and perhaps the most expensive product in the store on a cost per pound basis. Which promotional route do you go? Point-of-sale? Or word-of-mouth?
Cathy Horyn is the New York Times fashion reviewer. I always look forward to Fashion Week in New York because of Cathy’s column. She’s a brilliant writer! I want to wear women’s clothes when I finish her column. Never will I be confused for a Fashionista, but I often wonder whether her pen can make or break collections. What kind of power does she wield? Carolina Herrera must feel she’s important, she’s banned the NY Times from her shows.
Power or not, Cathy is both fun to read and thoroughly convincing. Check out her prose all week long in the New York Times and at her Bloghttp://runway.blogs.nytimes.com/
Was there one Super Bowl commercial (Am I allowed to use the word Super Bowl without paying a licensing fee?) that wasn’t designed to make people laugh? It seemed that every marketer cared only about creating a humorous imprint on consumers rather than selling a little product. Don’t get me wrong, I love humor. But in the comedy club that has become the Super Bowl I’m afraid consumers are beginning to judge the work, rather than respond to it. The messages are getting lost in the humor.
The ad I remember most over the last couple of Super Bowls was the one in which soldiers returning home from Iraq were met with spontaneous applause in the airport. That was powerful. And though I’m not 100% sure it was Budweiser, I’m going to give them credit. While I’m giving Bud (not Bud Light) credit, I’m going to like them a little more as a company, albeit not in any thirst-quenching manner.
On what is supposed to be advertising’s finest day, I think we’re losing our way.